Events

Doors: 8 p.m. || Show: 9 p.m. || All Ages
$8: Advance || $10: Day Of Show
$2 Minor Fee at the Door
Tickets on-sale Thursday July 26th @ 10 a.m.

::: Desert Noises :::

::: Morning Teleportation ::: 

Doors: 7 p.m. || Music: 8 p.m. || All Ages
$13: Advance || $15: Day Of Show
$2 Minor Fee at the Door

Doors & Music: 8 p.m. || 18 & over
$20: GA1 || $25: GA2 || $28; Day Of Show
$2 Minor Fee at the Door
Tickets on-sale Friday June 15th @ 10 a.m.

Note: There is NO difference in GA tickets. We are simply rewarding you for buying early with cheaper tickets! Whoop!

::: Jauz :::

Doors: 7 p.m. || Music: 8 p.m.

$16: Advance || $18: Day Of
All Ages || $2 Minor Fee at the Door

::: Nekrogoblikon :::

"Who is Nekrogoblikon? Where did they come from? What is goblin metal? Why write songs about goblins? When will I stop feeling so alone?" The answer to all of your questions is it really doesn't matter. What you should instead be concerned with is the fact that your life is probably not nearly as satisfying as it could be, and Nekrogoblikon is here to fix that. Their new album Heavy Meta has not only been in the works for the last 49 years, but also is the first album in history to receive three Grammys (and even one Oscar) without ever having been completed or released. In 1987, psychiatrists worldwide began prescribing audio snippets of the in-progress album to patients in lieu of antidepressants, and by 2001 the album had gone "Secret Platinum." However, it wasn't until now that Nekrogoblikon felt that the general masses would be able to handle the concentrated dose of pure joy that is Heavy Meta. The album arrives on June 2nd, 2015, and is promised by the band to be both "really, really good" and "something people will want to buy...or torrent."

Doors: 6 p.m. || Show: 8 p.m. || 18 & Over

$60: Floor, rows 1-3 || $55: Floor, rows 4-6
$50: Floor, Tier 2 || $45: Balcony, Tier 1
$40: Balcony, Tier 2 || $30: Balcony, Tiers 3 & 4
$2 Minor Fee at the Door
Ticket on-sale Friday August 3rd @ 10 a.m.

::: Thunder From Down Under :::

Australia's Thunder From Down Under is the number one male revue in the world!  Thunder From Down Under hits an intimate Vegas stage with 13 shows a week in Vegas, and two international shows touring 50 weeks a year. 

This isn't the type of show you just sit and watch - Thunder is a fully interactive experience. With chiseled bodies, seductive dance routines, cheeky humor and boy-next-door charm, Thunder From Down Under is a show that you won't be able to resist!

Doors: 6:30 p.m. || Show: 7:15 p.m. || All Ages
$20: GA Advance || $23: GA Day Of Show
$40: General Reserved || $2 Minor Fee at the Door
Tickets on-sale Friday June 29th @ 10 a.m.

::: Reckless Kelly :::

Understanding the virtuosity of Reckless Kelly requires the perspective of where the band has been. Cody and Willy Braun grew up in the White Cloud Mountains of Idaho. They moved to Bend, Oregon, and then migrated to that great musical fountainhead, Austin, Texas.

The band’s co-founders and frontmen toured the country as part of their father’s band, Muzzie Braun and the Boys, as children. They performed on The Tonight Show twice. Their father taught his four sons a professional ethic – integrity, persistence, hard work and professionalism – honed over three generations. They overcame hardships, struggled for recognition, and learned the lessons of the trial and error that defined them.

In one sense, it’s remarkable in the way of any musician, athlete, or businessperson who bucks the odds.

In another, though, it’s utterly natural that Reckless Kelly, born in the dreams of the two Braun brothers and their heritage but nurtured in the bumpy road of maturity, became the very essence of Americana music in all its far-flung glory.

“We came along in that second wave of the movement,” Cody Braun says. “Son Volt’s album Trace had a major effect on us. People like Joe Ely, Ray Kennedy and Robert Earl Keen were always big supporters. Our goal was to make music that had a country vibe but a solid rock edge.”

In the end, all the recipe required was to just add water. Water facilitates life. It enriches the soul.

As Music Row magazine proclaimed, “In my perfect world, this is what country radio would sound like.”

“This” is Reckless Kelly. 

Doors: 6 p.m. || Music: 7 p.m. || All Ages
$10: Advance || $12: Day Of Show
$2 Minor Fee at the Door

Mad Dog and the 20/20's performing as PARAMORE
Salt Creek performing as THIRD EYE BLIND
Better Friend performing as THE KILLERS
Jocko performing as RAGE AGAINST THE MACHINE
Cruz Control performing as THE POLICE

Doors: 7 p.m. || Show: 8 p.m. || All Ages
$20: Advance || $23: Day Of Show
$2 Minor Fee at the Door
Tickets on-sale Friday June 8th @ 10 a.m.

::: Cherub :::

Beyond the fog of burning blunts, the sea of whiskey, and forest of empties, you’ll find two sweethearts in a Nashville garage. Just as they were yesterday, the day before that, and years prior. Searching for the perfect combination of string plucking, button pushing, and knob turning to craft the ideal sound to make you forget your world and step into theirs. The aforementioned sweethearts are Jordan Kelley and Jason Huber; known to most as “Cherub.”

 It all began in 2010 at Middle Tennessee State University. The two met as Jason was playing around town with local bands and Jordan was crafting what would become known as their first album, Man of the Hour. A few years later, it was the song “Doses & Mimosas” that caught the attention of the public and gained the interest of Columbia Records, who signed the duo in 2013. Their 4 year major label run brought their fans two LP’s, Year of the Caprese and Bleed Gold Piss Excellence, while also sending them around the world playing festivals such as Lollapalooza, Bonnaroo, Glastonbury, Outside Lands, Osheaga, Summer Camp, Summer Sonic, and headlining 4 US tours. Now, a gold record and 130 million Spotify streams later, the bond between them remains “unfuckwithable,” as they construct their newest batch of genre-defying anthems.

From the streets of Bangkok, to the dive bars of Nashville, Cherub has been drawing inspiration from everything around them. “Each one of these songs was written and recorded at different times, in different places across the world,” says Jason.  “It seems to make sense, releasing each new song individually, giving us a chance to take you to where we were in our heads when it was created and pair each track with a something visual to tie it together.”

Straying from the common record label strategy of releasing a single or two followed by an album, Cherub has decided to give each new song it’s own time in the sun. “We don’t want anything to get lost,” says Jordan. The new collection of work spans multiple genres while still keeping with the same style of addictively playful melodies Cherub fans have grown to love. It’s a “song first, production later” approach at creating music that may bring some ears back to an earlier time in the duo’s existence. “There’s a certain simplicity in these new songs that remind me of the first few Cherub records,” says Jason.

There’s no doubt that the latest Cherub efforts will win over their existing audience and draw new listeners to their established brand of debauchery. From your ears to your heart, like searching for room on their bodies for a new tattoo, they’ll find a way.

Doors: 8 p.m. || Show: 9 p.m. || 18 & Over

$17: Advance || $20: Day Of Show

$2 Minor Fee at the Door

Tickets on-sale Friday August 3rd @ 10 a.m.

Doors: 7 p.m. || Music: 8 p.m. || All Ages

$5: General Admission || $2 Minor Fee at the Door

Doors: 7 p.m. || Show: 8 p.m. || All Ages
$28: Advance || $30: Day Of Show
$2 Minor Fee at the Door
Tickets on-sale Friday July 27th @ 11 a.m.

::: Big Gigantic :::

Doors: 7 p.m. || Show: 8 p.m. || All Ages
$20: General Admission || $100: VIP Meet & Greet
$2 Minor Fee at the Door
Tickets on-sale Friday August 10th @ 10 a.m.

VIP Package Includes:
·  GA Ticket
·  Early Entry
·  One acoustic song and 10 min Q&A with Emily
·  Souvenir tour laminate
·  Autographed photo
·  Photo opportunity with Emily
Plan to arrive by 6pm

::: Emily Kinney :::

Emily Kinney is a little too old to be daydreaming in the back of a classroom, soaked in unrequited love for a guitar player in a pop punk band she used to watch on MTV, but on Oh, Jonathan, Kinney’s upcoming release, she just can’t seem to help herself. It’s been a couple years since Kinney’s last album, “This is War” and she’s been using the time both professionally, in acting and music, and personally to mature and explore. In acting, Kinney’s transitioned from her young role as Beth Greene on AMC’s hit tv show ‘The Walking Dead,’ where her music and singing were often featured, to more mature roles in shows like Masters of Sex, Ten Days in the Valley, and to her current gig as an emotional, tenacious mother of a young girl battling cancer in the upcoming Netflix series Messiah. In music and life, Kinney’s path to adulthood has been a little less straightforward. “After I got done touring with This is War, I was tired from traveling so much. There were a lot of opportunities coming off of The Walking Dead, and I started to feel a little like I was on a hamster wheel and not always making the best creative choices, I was just saying yes to whatever opportunities came my way. There was also a lot to learn about the music business. I often felt in the dark making decisions. I wanted transparency. Then, my little sister, who’s seven years younger than me got married, and I started to notice the gray in my Dad’s hair. Even though I had been traveling the world and doing all these things, I felt like I was the one who was stunted.” You can hear Emily’s plea for adulthood in one track on the album, “Popsicles.” “I knew I needed to see my family more. I knew I needed a change of direction with my music and a rest. Time was going by a little too fast.

Doors: 7 p.m. || Show: 8 p.m.
$15: Advance || $20: Day Of Show
All Ages || $2 Minor Fee at the Door
Tickets on-sale Friday June 22nd @ 10 a.m.

::: Whiskey Myers :::

The Weepies - Completely Acoustic and Alone

Doors: 6:30 p.m. || Show: 7 p.m. || All Ages
$27: General Reserved || $35: Dance Floor Seating
$180: VIP Table of 4 || $2 Minor Fee at the Door
Tickets on-sale Friday June 29th @ 10 a.m.

::: The Weepies :::

Singer-songwriters Deb Talan & Steve Tannen began writing together the night they met, and soon formed indie band The Weepies.  On the strength of their simple yet insightful songwriting and distinctive harmonies, they quietly sold more than 1.5 million records with over 54 million streams on Spotify, 25+ million views on YouTube, and over 110k social media followers. They married and had three children, rarely touring but continuing to release their music; five records over seven years.

Just before Christmas 2013, when their youngest son was 17 months old, Deb Talan was diagnosed with Stage 3 breast cancer.  She was in chemo by New Year’s Eve.

In 2014, Deb beat cancer, and The Weepies recorded the best album of their career. Coming back from the edge sharpened their skills and focus. At 16 songs and almost an hour long, SIRENS shows a band at the height of its powers.

The couple was unable to travel while Deb was in treatment, so they worked at home, inviting guest musicians to record remotely wherever each musician happened to be, resulting in an unlikely superstar backing band. Players from across the spectrum jumped in, including: Pete Thomas and Steve Nieve (Elvis Costello), Gerry Leonard (David Bowie), Rami Jaffee (Foo Fighters), Tony Levin (Peter Gabriel), Oliver Kraus (Sia) and Matt Chamberlain (Pearl Jam), as well as veteran Weepies compatriots Frank Lenz, Eli Thomson, Jon Flaugher, Meg Toohey, and Whynot Jansveld, plus a horn section from New Orleans.

The prophetic “No Trouble” was written prior to learning Deb’s diagnosis. “I don’t need no trouble, but sometimes trouble needs me,” sings Steve; Deb’s vocals were recorded during her first weeks of chemo. The couple continued to write and record throughout treatment, with Deb providing several key vocals far into the year, including title track “Sirens,” captured in one take on a day where Deb really only had one take in her; her vulnerability is tangible.  “We just kept going,” says Deb.  “We also have 3 small children, and were homeschooling, and the effects of chemo blew whole days out of the water.” 

Doors: 8 p.m. || Show: 9 p.m. || All Ages
$17: Advance || $19: Day Of Show
$2 Minor Fee at the Door
Tickets on-sale August 3rd @ 10 a.m.

$1 of every ticket sold donated to Can’d Aid Foundation - http://candaid.org/

::: Sunsquabi :::

Doors: 7 p.m. || Show: 8 p.m. || All Ages
$15: GA Advance || $18: GA Day Of Show
$25: General Reserved || $2 Minor Fee at the Door

::: Jeff Austin Band :::

Mandolinist Jeff Austin is unstoppable. He is celebrated for his fleet fingers and penchant for improvisation on stage, but those qualities also speak volumes about how he chooses to live. Austin has cultivated his natural musical abilities and allowed himself to be driven by his boldest instincts. In this way, he has been able to build positive, exciting momentum around his life’s greatest passion.

In 1998, while working at a bar called the Verve in Nederland, Colorado, Austin met Adam Aijala and Ben Kaufmann, with whom he and Dave Johnston would form the Yonder Mountain String Band.

“My time with Yonder has taught me what is possible,” Austin says. “It has shown me that if you work hard at it and you believe in it and there’s a part of you that’s meant to do it, it will happen. It’s clichéd, but it’s true.”

It is with this history at his back that Jeff Austin will step out into the spotlight as a solo act. “My ideal sound is between Phish, My Morning Jacket, and Zac Brown Band.” Austin plans to continue songwriting for his solo project but might be weaving in a bit of mainstream, in the style of his John Scott Sherrill/Shawn Camp co-write “Fiddlin’ Around,” featured on Dierks Bentley’s 2010 bluegrass album Up on the Ridge. “I love writing a three-minute song with a hook that would grab a five-hundred-pound marlin as much as I like writing something that goes, ‘okay, after the bridge, it’s going to open up and just go wide.’”

Indeed, “wide” is what Jeff Austin is all about. He wants new and different, complex and interesting. He wants everything the music world has to offer, and he’s willing to work hard to get it.

Doors: 7 p.m. || Music: 8 p.m. || All Ages
$20: GA Advance || $25: GA Day Of Show
$30: GA Early Entry || $90: Table of 2*
$180: Table of 4* || $2 Minor Fee at the Door
*Tables include Early Entry

K.CAMP HAS ARRIVED! Atlanta has a new sound taking over its music scene and its captivating radio nationwide. K.Camp is a music architect contributing to the fresh sound being coined as “New Atlanta.” His creative and versatile style allows him to tell his story not only through rap but also his vocal skills. He can make a hit club banger and turn around and make a crossover record to lyrically captivate audiences across the world.

Doors: 7 p.m. || Show: 8 p.m. || All Ages
$12: Advance || $15: Day Of Show
$2 Minor Fee at the Door

::: Ruston Kelly :::

Ruston Kelly writes and performs the kinds of songs that inspire novels and movies.

You could call him a bastard disciple of Kurt Cobain and Townes Van Zandt, and he'd be totally cool with that. He's just as comfortable wearing a cowboy hat as he is in a Slayer t-shirt. His story so far twists and turns through heartbreak and triumph, an overdose and rehab, empty dive bars and packed venues, living everywhere from South Carolina to Brussels, and as he puts it, "finally getting my shit together and proposing to the love of my life."

It's this unbelievable experience that informs Ruston's singular style -- a gravelly patchwork of folk lyricism, grunge attitude, country heart, Americana spirit, and rock energy. Not only has he penned songs for Tim McGraw ("Nashville Without You"), Josh Abbott Band ("Front Row Seat"), and more, but his independent solo debut EP Halloween earned acclaim from KCRW, Consequence of Sound, RELIX, Apple Music, and more. He logged countless miles on the road sharing the stage with the likes of The Lumineers and Robert Earl Keen in addition to performing at Bonnaroo and Wakarusa.

::: Katie Pruitt :::

Katie Pruitt is the girl next door with a guitar in her lap writing songs in her bedroom until sunrise. Pruitt is a has-to-live-it-to-write-it kind of songwriter that achieves the kind of lyrical simplicity that even the best songwriters strive for. Her unique guitar picking accompanied by her very personal lyrics and truth-questioning spirit is a throwback to the classical sounds of Joni Mitchell, John Prine, and Brandi Carlile.   

Pruitt is a Nashville transplant, originally hailing from a small suburb outside of Athens, Georgia. Splitting her time between writing songs and waiting tables, her hard work paid off after she landed a Tuesday night residency at The Basement in Nashville. One of those nights in 2016, she was heard by the right people and signed a publishing deal with Round Hill Music Publishing. Not long after that she was offered a booking deal with Paradigm Talent Agency and hasn’t had time to wait tables since.

Pruitt has been praised as one of the most talented songwriters and best kept secret in Nashville today. In 2016 she humbly accepted the first annual BMI Songwriting Scholarship for her original song, Ordinary. This recognition then lead her to be the honored recipient of the Buddy Holly Prize in 2017, a prize previously awarded to the talents of Emily King and Ben Howard through the Songwriter Hall of Fame. Pruitt also made her way on the bill for the 2017 Pilgrimage festival alongside headliners, Justin Timberlake and Eddie Vedder.

2018 has no plans for slowing Pruitt down. The successful release of her OurVinyl live session on YouTube has reached over 50K people in a short few months. Catch her playing Americana Festival in Nashville this September as well as on the road playing a show in your city.

***SEATING IS SOLD OUT***
Doors: 7 p.m. || Show: 8 p.m. || All Ages
$36: GA Advance || $45: GA Day Of Show
GA = Standing room only
$300: VIP Table of 4 || $150: VIP Table of 2

*View Larger Seating Chart*
Tickets on-sale Friday August 24th @ 10 a.m.

::: Kenny Wayne Shepherd :::

There are few artists whose names are synonymous with one instrument and how it's played in service to an entire genre.

Utter the phrase "young blues rock guitarist" within earshot of anyone with even a cursory knowledge of the modern musical vanguard and the first name they are most likely to respond with will be Kenny Wayne Shepherd. The Louisiana born axeman and songsmith has sold millions of albums while throwing singles into the Top 10, shining a light on the rich blues of the past and forging ahead with his own modern twist on a classic sound he has embodied since his teens.

In a 20+ year recording career that began when he was just 16, Shepherd has established himself as an immensely popular recording artist, a consistently in-demand live act and an influential force in a worldwide resurgence of interest in the blues.

From television performances on The Tonight Show with Jay Leno, The Late Show with David Letterman, Jimmy Kimmel Live and Late Night with Jimmy Fallon (amongst others) to features in Rolling Stone, Vanity Fair, Maxim Magazine, Blender, Spin, USA Today and more, his musical career has been nothing short of phenomenal.

At 16 years old, he signed his first record deal and burst onto the national scene with the release of his 1995 debut album Ledbetter Heights, which produced the radio hits "Deja Voodoo," "Born with a Broken Heart" and "Shame, Shame, Shame." His relentless touring and success on rock radio helped to drive the album to Platinum sales status. His 1998 sophomore effort Trouble Is... also went Platinum, yielding such radio hits as "Blue on Black," "True Lies" and "Somehow, Somewhere, Someway." 1999's Live On spawned the radio hits "In 2 Deep", "Shotgun Blues" and "Last Goodbye."

Lincoln, we’re very sorry to announce that we have to postpone tonight’s show at The Bourbon to Sunday, November 18. Our bus broke down on our way from Denver, and we won’t be able to make it to the show in time. Hang onto your tickets, they’ll be honored at the makeup show on 11/18. We’ll see y’all in a few weeks!

Doors: 7 p.m. || Show: 8 p.m. || All Ages
$18: Advance || $20: Day Of Show
$2 Minor Fee at the Door

::: The Lacs :::

“People still can’t figure out what to call the music we do,” said Brian ‘Rooster’ King, looking at his longtime collaborator Clay ‘Uncle Snap’ Sharpe. “We just get in there and write about what we want.” The duo has been together since 2000 and Outlaw, which is their fifth album since signing with Average Joe’s Entertainment, is a watershed effort from The LACS that sonically broadens their musical scope and blends together every genre from traditional country and southern rock to rap and spoken word. But it’s their true-to-life lyrics that paint a series of authentic compositions depicting the life of a pair of rednecks from South Georgia. “We love writing about stories that we’ve lived,” said King, of their biographical 12-song effort that could prove to be a breakthrough of sorts.
Label it however you choose. They call it country.